…we’re all hunkered down at the place of employment. Hunkered? Or should that be bunkered down? No, bunkered sounds as though we’re securely hidden away. Must be hunkered then. Although that still sounds as if we’re hiding but the only thing we’ve temporarily succeeded in hiding from is the interminable rain. And it is temporary. It might be cosy in my nice warm office, and I might’ve retrieved my winter slippers from their summer resting place in the middle drawer of the desk, but any minute now another sodden student will appear in the doorway dripping their way in for an hour’s support of some form or another. And I will, hopefully, rectify their life for 60 minutes.
I drive home via the surgery. For reasons too tedious to mention, the surgery has become my second home of late. The only reason I’m mentioning the place is because, like my students, I’ve been given an allotted time to arrive. And like my students, I will be damp and dripping all over the carpet. The similarities pretty much end there. I might have mentioned elsewhere that in France doctors’ receptionists don’t exist: you make your arrangements directly with the GP. I’m like a French GP: students make their plans with me. If they can’t keep their appointments, they generally let me know. Not some formidable intermediary.
So, it’s bucketing down. I’ve allowed myself a generous half hour for a trip that should take, at the most, twenty minutes. But, as I said, it’s raining and, this being England, where you might’ve thought they’d got used to a spot of the watery stuff, the rain means that traffic is at a standstill. My car is reasonably new, modern and sleek. Makes no difference: it’s a Ford. I’m old enough to remember the days when, if you were in possession of a Ford, you had to begin your day half an hour prematurely in winter because you knew the car wasn’t going to start. ‘Oh, just leave me alone’, the poor, cold, little engine would splutter. I’m not designed for early mornings’. The engineers finally overcame this insanity.
Trouble is, the seasons have changed. We only have two of them now: grey or bright; raining or not raining. The Ford doesn’t have to worry about fighting arctic winters any longer so now it complains about precipitation. I switch the warm air to a place where it will make my slipperless toes feel nicer. Toes are comforted but now the car’s steamed up. I can’t see a bloody thing. I open the window but that only makes things worse. Now I’m wet and chilly as well as unable to see out. I sit in the traffic and switch the air to a place where it will clear the windscreen. And I’m instantly cold again. And all the while the clock is ticking.
I’m on the phone to the surgery. Despite the fact that I’m not moving, I disguise the fact that I’m on the phone. I lean casually against the window, phone cupped surreptitiously to my right ear as though I’m momentarily relaxing, and whisper to the GP’s receptionist:
‘I’m afraid I’m caught in traffic. I might be a tad late’. I deliver this news as if I’m a beautiful, but brave, butterfly who has been momentarily trapped in a collector’s net from which, any minute now, I shall be free. ‘How late will you be’, screams the oberfuhrer? ‘Oh, I’m just in Poole’, I lie. ‘About five minutes?’
Oberfuhrer says something unintelligible. ‘Did you hear that?’ ‘Absolutely’, I lie again.
Afterwards, I collect my prescription and, as a necessary treat, purchase a bright pink lipstick. I arrive home soaked and put the kettle on. The kettle boils just as I’m pouring a glass of wine. I look out of the window and I think of the south of France.
None of the previous quotidian would have happened in the South. Chances are, at this time of year, they are experiencing a horrid Mistral that will wear them down. It will make them cold and irritated. It might even cut their electricity supply. They will have to go into Avignon for respite. And when they’re within the city walls, they might have to duck to avoid flying debris. They will have to partake of an early aperitif before hiding in the confines of the Utopia cinema where they will watch a film shown in the language in which it was made. They will exit the Utopia and go to Le Cid for a quick, people-watching expresso. They might then be blown to a restaurant for a very long dinner.
I don’t want to live in the South. Winter’s a pain. They’re rubbish at doing Christmas so there’s nothing to look forward to. I like the ever diminishing English seasons. I like pub quizzes and I like my students. I like visiting my friends & family and I miss them enormously when I’m not here. I like my cosy office and my warm house. I like seeing deer at the end of my road. Jonathan Meades says every man has two countries: their own and France. It’s October and I miss France.





I climb to the highest point of Glanum. I don’t like heights and there are certain places I don’t like being alone. Like places where you can fall off a hill unnoticed. But, when I get to the top, I remember why I made the ascent. From this tiny pinnacle, looming over this small town, I indulge the widest of panoramas. From left to right I see the Cevennes, La Montagnette, Avignon – including the Popes’ Palace which is, today, sparkling in the sun -the mountains of the Vercors and the Vauclause and Mont Ventoux. And close at hand, but behind the forest, the Alps.

I’m not. I’m already weighed down with tablecloths, ceramics and old Tin Tin annuals; another reason for throwing my clothes away. Neither am I interested in the nouvelle collections which look as drab and dreary as they do every year. One minute it’s summer with all its vibrantly coloured linens and cottons, the next it’s bring out your widows’ weeds. Leonard’s still round the corner singing the blues. I’m hoping he’ll stay one more week for the delight of Bridget and Jane who arrive on Saturday.

Sheep-like, I follow a passing crowd uphill. Like a human transhumance, we are headed in the direction of who knows where. I have my suspicions and, of course, we duly arrive at the arena. I push my way to an upper circle and watch as a solitary taureau is drawn into the midst of a multitude of adolescent gladiators.
As everything is closed and my car is temporarily trapped within a confusion of barricades, I wander back into the village. I locate myself behind the relative safety of some iron grids and wait for the next stage. More youths, sporting the neckerchiefs of their team, stand on the wrong side of the barricades. Beautiful female stick insects wait in huddles. They also wear bandanas, the colour depending on which young man they’re currently supporting. From somewhere, comes the sound of a gunshot followed by pandemonium: ‘Il arrive’, the cry goes up and people scatter as the bull runs through the village streets. It’s chased by almost every man in Provence including a group of lads who, inexplicably, have brought along a giant wheelie bin.
I escape the madness and follow a tortuous route to Verquieres. There are no chapels in Verquieres but my booklet advises me there is a magnificent pigeonnnier (which is French for dovecote). Naturally, Verquieres is shut. To be truthful, it doesn’t look as Verquieres has ever been open but, being an intrepid explorer, I manage to locate the only living being in the place. I ask him if he knows where the pigeonnier is and he starts laughing. I don’t suppose they get many visitors here. He says it’s very hard to find but gives me directions. I follow the directions and end up down the bottom of someone’s drive where I find a pyramid. As you do.


‘A second harpsichord’, he continued. He wasn’t laughing. Leonie and I look at each other wondering whether this is some kind of rare Swiss joke. Peter asks whether we want to see the first harpsichord. We do and we duly follow him into the dining room. As we eat in the remise during inclement weather, the term ‘dining-room’ seems anomalous although it is where the jam and honey are kept. Sometimes, it’s referred to as the library. There are a lot of books in here. And a harpsichord. You might think that I would’ve noticed a large musical instrument previously, possibly when looking for the jam. It’s a big wooden thing leaning against a wall. In fairness, this is a residence with lots of unidentifiable objects leaning against walls.
Now I’m having Sunday lunch on the terrace at Villa Glanum. It’s an alcohol-free day. The Coca Cola bottles have names on the labels – friend, princess and so on. Mine says celibataire. Optimistically, I consider whether this means celebrity although I have my suspicions that it might be similar to the English word. I ask the waitress. She is embarrassed. I help her out. Does it mean someone without a lover? It does. Ah well. C’est moi.
Your windmill was shut. Shut for good, not just for lunch. When did that happen? I suppose you became sick of all those visitors. The French were on good form: I noticed a small child attempting to climb up one of the sails to the indifference of his parents. We got some nice photos though before descending the trail past the remains of other windmills and down to Chateau Montaubaun. We arrived at 12.25, just in time for Madame to close the doors in our faces before shooting off for lunch. That would be lunch that lasts until 3pm. As Leonie said, she could fly to Greece in that time. We declined the invitation to return later.
Fontvielle was also pretty much closed. So much for the rumour that there’s a good lunch to be had in the village. We went to Arles instead but the food there was also sadly disappointing. I continued a fruitless search for a particular poster by Lelee which my friend at the evening market in St Remy tried to sell me for 150 euro the other night. Today, I met a woman who claimed to work with Lelee’s editor. She said the poster is unobtainable. Actually, I found one on l’internet but it’s 3,200 euro so I won’t be buying that. Leonie pointed out that the one for 150 euro is not so unaffordable after all. I bought a postcard instead.
Yesterday, Karil took me to Chateaurenard to collect the new car from a French rental agency. It was a good plan. Just a shame that, even though my paperwork said I was to pick up the vehicle in Chateaurenard, they omitted to tell me that they close on Saturdays. Europcar, Avis and Hertz also play this game at Avignon Airport on Thursdays. Tourists disembark clutching their booking documents only to discover nothing apart from a telephone for the TGV station. First timers don’t know that the TGV station is miles away on the other side of town. And as Avignon Airport is a shed with two doors, there’s no taxi rank and no means of getting to the TGV station. What a hoot!
Karil’s not calm about her cats: there are an awful lot of rules involved, mostly pertaining to food and doors. Galileo is losing weight so must be fed with the soft food several times a day. Molika only likes the juice from the soft food and only in the morning. I don’t know when and to whom Molika mentioned this alleged preference. I mistook Molika for Galileo with the second bowl in the afternoon. Molika did an excellent impression of Usain Bolt and gobbled the lot. I put the third bowl in the garden because Galileo, apparently, likes a picnic. So does Molika.

This morning, I woke to find myself in the house of the almost-walking wounded. An unknown and unseen insect has attacked one of Karil’s ears. The ear in question has taken on the colour and size of a tomato sufficient to feed a family of five on a saint’s day. This glowing orb has dispatched tentacles into Karil’s left cheek which she is reliably informed is three degrees hotter than the right one. Infusions, diffusions, anti-this, contra-that must be administered. Karil anxiously reads the accompanying literature to determine whether alcohol must be avoided. She can find no mention of this and, greatly relieved, returns to bed. Peter, meanwhile, has had another bad night. He puts his headphones on and goes to sleep.
I have no car today so I take a walk to Noves. It’s about two miles there. I still haven’t learned the lesson of the Assumption and refuse to believe the place won’t re-open after 3pm. On the way, I notice that the apples are finally being harvested and I take this industrious scene as an indication of the entertaining delights that await me in Noves.